Carlos Bica has never been a conventional jazz musician. A classically trained musician, he grew up listening to pop-rock and playing jazz and improvised music. Even if not always obvious all of these influences coexist in his music. He is one of those musicians who always remained open to new directions, but never had he gone as far in an album, with its suspensions, silences, subtle construction of melodies, and emotional envelopments, where the bass creates rhythms and harmonies approaching traditional music, contemporary sources, and the sound poem, all with the expressive faculties of the instrument intuitively explored.
– O Público, Vítor Belanciano